In this video, Francis Ford Coppola discusses the creative process and describes the steps he went through to write one of his recent projects. I like how he points out early in the video that he's confident he can make a good film with good cinematography but it all comes down to the writing.
One of the most important points Coppola makes is this: writers can get better with practice. If you learn only one thing from this video, let it be that.
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I finally had a chance to see Tales From the Script last night. Every screenwriter should check out this documentary. It features interviews with forty-four screenwriters -- including William Goldman, Frank Darabont, Steven de Souza, and Shane Black -- who discuss the film industry, the development process, and the ups and downs that come with being a writer.
It is at some points discouraging and at other points motivating and inspiring. You'll hear from writers who have penned more than thirty scripts but only sold one or two, and you'll hear from Academy Award winning writers who have sold one screenplay after another.
My favorite part of the film was Kris Young's comment comparing screenwriting to the opening scenes of Saving Private Ryan -- thousands of soldiers land on the beach and are mowed down by gunfire, but a few make it through and survive. Yes, it's a dramatic analogy, but if anyone is allowed to be dramatic, shouldn't it be a screenwriter?
I also loved this quote from Dennis Palumbo: "Writers are egomaniacs with low self-esteem."
You can get Tales From the Script through Netflix, and it's also available on DVD through Amazon.com
Here's the trailer:
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In my quest to become a better writer, I've taken classes, read dozens of how-to books, kept a journal, and joined local and online writing groups. After all this time, I've learned there is one habit that will improve your writing more than any other:
Write every day.
It seems so simple, yet any writer knows it's rarely as easy as it sounds. You come up with excuses -- you don't have enough spare time, the laundry needs to be done, you need to organize the files on your hard drive, you're tired after a long day at work -- and you tell yourself you'll write something tomorrow. And when tomorrow rolls around, you come up with new excuses to justify why you aren't writing.
Believe me, I've been there. I've also discovered the biggest drawback to that mindset: The longer you go without writing, the harder it is to get back to it.
If you don't write regularly, the words dry up. The blank page becomes even more intimidating than it already was. The longer you put off writing, the more your talent and skills will atrophy.
The self-loathing also kicks in and you start hating yourself for not writing. You sink further into a pit of despair and doubt. You're frustrated and maybe even depressed, so you don't feel like writing, which means another day goes by and the frustration and self-loathing grows stronger. This cycle continues, feeding on itself and intensifying, until eventually one of two things happens. You give up altogether and set aside your dream of being a writer, or you sit your ass down and write something.
Here are a few things you can do to ditch the despair and develop a daily writing habit you'll actually stick to:
I used to think I lacked motivation, until I realized motivation isn't some mystical force the universe bestows on those who are worthy. Don't wait around for motivation. It isn't going to arrive on its own. In fact, stop thinking of motivation as a necessary condition for writing.
Instead, think of writing as something you're required to do every day, like eating, sleeping, or brushing your teeth. You don't need to be motivated to do those things. You just accept them as part of your day.
William Faulkner once said, "I write only when I'm inspired. Fortunately I'm inspired at 9 o’clock every morning." It's tough to find a better way to convey that point.
Write something every day, whether you feel creative or not. If you're staring at a blank page and nothing comes to mind, write about how you're staring at a blank page and nothing is coming to mind. Write a description of the room you're sitting in. Write about your plans for the day. Just write something. After you've been writing for a few minutes, the resistance will break down and the words will start to flow.
Keep the idea of writing always in the forefront of your mind. Stick post-it notes in prominent places -- the bathroom mirror, your computer monitor, the refrigerator door, and anywhere else you're guaranteed to see them. Change your reminders every few weeks. If you don't, they'll become part of the scenery and you'll stop noticing them.
Place a note in your wallet where you'll see it every time you reach for money or your credit card.
Use a site like HassleMe to send yourself automated reminders via email to write something every day.
Start with something small. Write for five minutes every day, or write one paragraph each day, or write 100 words per day. Create a goal that's easy to meet. Every time you meet your goal, you'll feel like you've accomplished something worthwhile. This will keep you coming back for more.
Build up to one hour per day, or one page per day, or 500 words per day, but do it gradually. Don't push yourself too quickly to set higher goals. Wait until you've met or exceeded your current goal for at least a few weeks or more before you set a new goal.
Don't hate yourself if you don't meet your goals. Forgive yourself and start fresh the next day. Research indicates self-blame is counterproductive and you’ll procrastinate less if you forgive yourself. Remember what I said earlier about self-loathing? It's a vicious cycle, and if you're not careful it can spiral out of control. You can end the cycle by putting the past behind you and focusing on the writing you're going to do today.
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Fear of failure is something that keeps many people from writing. They dream of being published but hold back because they're afraid their writing isn't good enough. They worry other people will read it and think it sucks.
Sometimes this fear is enough to stop a writer from sending her manuscript out to agents and publishers. Sometimes it's enough to stop her from writing anything at all.
In my experience, there is only one surefire way to overcome this fear -- give yourself the freedom to fail.
Give yourself permission to suck. In fact, don't just give yourself permission. Expect your first draft to suck. That's why it’s called the first draft -- because it's the first in a planned series of drafts, each hopefully better than the last. Even bestselling authors don't turn out perfect prose on their first try.
One screenwriter I know refers to her first draft as the "vomit draft", nicknamed as such because the process involves spewing forth the words as quickly as possible without letting the messiness of it all slow you down.
Give yourself the freedom to write crappy material. Don't worry about how it sounds. Don't worry about grammar or spelling errors. Don't worry about anything other than the fact that if you don't try, you'll never know. If you don't write, you'll never publish that novel. You'll never sell that screenplay. You'll grow old thinking and wishing about what you could have done.
Turn off your internal editor and just get the words on paper.
This is more difficult than it sounds. Sometimes, no matter how hard you try, your internal editor just won't shut up. When that happens, take a five-minute break and have a friendly little chat with it. Tell it you value its opinion, you're grateful for its help, and very soon it will have its time in the spotlight, but at the moment your goal is to give it some words to play with later. The operative word here is "later". Not now, when your only objective is to get through the first draft.
So don't just give yourself permission to write badly. Plan it. Tell yourself, "This draft is going to stink, and that's perfectly fine with me." When your first draft is finished, it probably won't stink nearly as much as you expected it to, but if it really does stink, that's okay. It's a learning experience. Every chapter, scene, and draft is one more step along the path.
If you give yourself the freedom to fail, every page you write will bring you closer to success.
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Writing visually is not only about crafting words that flow smoothly and evoke vivid imagery. It is also about not including words that detract from that imagery or interrupt the flow. The screenwriter's goal is to create a script in which the writing flows so smoothly the reader becomes part of the story, watching it from within.
Here are some problems aspiring screenwriters should avoid when writing a spec script:
"We hear" or "We see"
Phrases such as "We hear" and "We see" should never appear in a spec script. They momentarily force readers outside the story. You want the reader to become so involved in your story she forgets the rest of the world exists. You want readers to live and breathe your story as they read it.
The imagery evoked by your words should drive what we're seeing or hearing as readers. Phrases like "We see" and "We hear" make the reader feel as if he or she is part of an external audience, not part of the story itself. Instead of reinforcing the idea the reader is immersed in a powerful story, those phrases do nothing but [click to read more]
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Resisting the urge to include extensive detail when writing a screenplay as you would when writing a novel is a difficult challenge for a screenwriter to overcome. Most writers who choose the screenwriting field do so because they think in film -- they imagine their stories unfolding shot by shot, scene by scene, image by image.
The job of the screenwriter is to convey those vivid images and scenes to the reader. This is often confused with the director's job of determining how certain scenes should be filmed. Deciding where to place the cameras, which actors to focus on, and when to pan or when to include a close-up are all factors that will be up to the director, not the writer.
So the question remains. How can you, as the writer, direct the reader's mind to imagine your film as you envisioned it, shot by shot and image by image?
The answer -- through the use of white space.
One immediately noticeable difference between script format and [click to read more]
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You may have written the most riveting piece of dramatic work in existence to date. Your dialogue may be perfect. Your characters may seem so real they beg to jump right off the page. Your story may rival those of Oscar-winning screenplays. It might even be so good as to put those stories to shame, but if your script never gets off the reader's desk, no one will ever know.
It's well known that readers are the gatekeepers of the film industry. It is also well known that while most readers would rather be doing anything but reading, they still spend countless hours making their way through stacks of scripts in the hopes of finding the next big blockbuster. The late-night caffeine-induced decision of one reader could be the turning point of your screenwriting career.
So how do you make certain that decision is in your favor? [click to read more]
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If you are an aspiring writer, you need to check out Holly Lisle's new writing course, How To Think Sideways: Career Survival School for Writers. It is a six-month class offered entirely online, and it covers an immense range of material. One of the students even referred to it as "grad school for writers", and I wholeheartedly agree with his assessment. The course is perfect not just for novelists but for screenwriters as well.
I can't recommend this course highly enough. There is nothing else out there like it. It will change the way you think about writing, and it will change how you think about yourself as a writer. It is incredibly motivating. The lessons are interesting and thought-provoking, and the techniques are practical and useful no matter your writing style. There's something for everyone. The sheer volume of information offered in this class could fill a library of how-to books about writing, publishing, and marketing.
Here are a few of the things you'll [click to read more]
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